Это дополнение к сообществу ru_rock70 . Здесь планируется собирать RSS-фиды разных не-LJ лент (по большей части blogspot) по теме сообщества. LJ-ленты вы уж как-нибудь сами :)

Делается это с помощью FeedBurner , я сам пишу сюда только всякие административные сообщения. Если у вас возникло желание связаться с автором поста — свяжитесь с автором поста ت .

Любые предложения по включению в этот агрегатор ещё каких-то RSS-ов приветствуются.

Хотелось бы только (1) не выходить за тематику сообщества (2) соблюсти формат "выкладка музыки и/или статья".

Скачивать файлы по ссылкам лучше всего с помощью JDownloader.
( Задействованные лентыCollapse )

Albums

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Leviticus - Knights Of Heaven 1989 (Sweden, Melodic Christian Metal)

Posted: 21 Mar 2019 08:48 AM PDT
http://music60-70.ucoz.ru/publ/scandinavia_denmark/heavy_metal/leviticus_knights_of_heaven_1989_sweden_melodic_christian_metal/230-1-0-12219

Исполнитель: Leviticus
Откуда: Sweden
Альбом: Knights Of Heaven
Год выхода: 1989
Жанр: Melodic Christian Metal
Длительность: 38:52
Формат: MP3 CBR 320
Размер архива: 92,7 МБ (с 3% на восстановление)


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V/A - Ultra-Lounge: On The Rocks, Part Two 1997 (Compilation, Easy
Listening)

Posted: 21 Mar 2019 07:47 AM PDT
http://music60-70.ucoz.ru/publ/compilations/surf/v_a_ultra_lounge_on_the_rocks_part_two_1997_compilation_easy_listening/138-1-0-12218

Исполнители: Various Artists
Альбом: Ultra-Lounge: On The Rocks, Part Two
Год выхода: 1997
Жанр: Compilation, Easy Listening
Длительность: 75:02
Формат: MP3 CBR 320
Размер архива: 177 МБ (с 3% на восстановление)

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V/A - Beatfreak! Vol. 9: Rare And Obscure British Beat 1965-1968 (2017)
(Compilation)

Posted: 21 Mar 2019 06:25 AM PDT
http://music60-70.ucoz.ru/publ/compilations/surf/v_a_beatfreak_vol_9_rare_and_obscure_british_beat_1965_1968_2017_compilation/138-1-0-12217

Исполнитель: Various Artists
Альбом: Beatfreak! Vol. 9: Rare And Obscure British Beat 1965-1968
Год выхода: 2017
Жанр: Compilation, Beat, Freakbeat
Длительность: 45:42
Формат: MP3 CBR 320
Размер архива: 109 МБ (с 3% на восстановление)

Old Melodies ...

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Earl Palmer - Drumsville! (1961)

Posted: 20 Mar 2019 12:27 PM PDT
https://allmusic-wingsofdream.blogspot.com/2019/03/earl-palmer-drumsville-1961.html



Earl Palmer was a first-call drummer on the New Orleans R&B recording scene from 1950 to 1957. Talk about a supreme recommendation -- in a city renowned for its second-line rhythms and syncopated grooves, Palmer was the man, playing on countless sessions by all the immortals: Little Richard, Fats Domino, Smiley Lewis, Dave Bartholomew, and too many more to list here.
Born to a mother who was a vaudevillian, little Earl was learning rhythmic patterns as a tap dancer at age four. Such contacts led him to be around drum kits on a regular basis, and it didn't take him long to master them. Bebop jazz was his first love, but R&B and blues paid the bills starting in 1947, when Palmer joined Bartholomew's band.
Palmer remained the king of the traps at Cosimo Matassa's fabled recording studio until 1957, when a Shirley & Lee session led to an A&R offer from Aladdin Records boss Eddie Mesner. Palmer found studio work just as plentiful in Los Angeles, making major inroads into the rock, jazz, and soundtrack fields as well as playing on countless R&B dates with his frequent compadres Rene Hall on guitar and saxist Plas Johnson. Occasionally, Palmer would record as a leader -- the instrumental "Johnny's House Party" for Aladdin, a couple of early-'60s albums for Liberty.
But even the best session men grapple with a certain sense of anonymity. So the next time you pull out Little Richard's "Tutti Frutti," Smiley Lewis's "I Hear You Knockin'," Lloyd Price's "Lawdy Miss Clawdy," or Fats Domino's "The Fat Man," please keep in mind that it's Palmer feverishly stoking that beat -- with a saucy second-line sensibility that drove those songs in fresh, utterly innovative directions.

***

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The Romancers - The Slauson Shuffle

Posted: 19 Mar 2019 11:55 PM PDT
https://allmusic-wingsofdream.blogspot.com/2019/03/the-romancers-slauson-shuffle.html


US rock band from the Eastside of Los Angeles, CA, active in the 1960s. They were one of the first East L.A. bands to record and paved the way for acts such as the Premiers and Cannibal & the Headhunters. The Romancers made two albums on Del-Fi Records and a string of singles for Eddie Davis' Linda label. Max Uballez was the group's leader, chief songwriter, and rhythm guitarist. He was involved in songwriting and production the Romancers' records, as well as other top Eastside bands.


***

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VA - Twist And Frit' / Belgian Guitar Groups Of The Sixties

Posted: 19 Mar 2019 11:27 PM PDT
https://allmusic-wingsofdream.blogspot.com/2019/03/va-twist-and-frit-belgian-guitar-groups.html



***

Rock Archeologia 60-70

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The Fireballs - Firewater! 1968 (USA, Rock & Roll/Pop Rock)

Posted: 20 Mar 2019 01:16 PM PDT
http://rock60-70.ru/albums/the-fireballs-firewater-1968-usa-rock-roll-pop-rock.php






Исполнитель: The Fireballs

Откуда: USA

Альбом: Firewater!

Год выхода: 1968

Жанр: Rock & Roll/Pop Rock

Формат: MP3 CBR 320

Размер архива: 55.8 MB

Продолжение темы.

Tracks:

01. Your Turn To Cry 2:20

02. Maybe Baby 2:02

03. She Belongs To Me 2:29

04. Note Upon My Door 1:47

05. Almost Eighteen 2:12

06. Red Cadillac And A Black Mustache 2:33

07. Wont Be Long 2:39

08. Let The Good Times Roll 2:13

09. Lucille 3:16

10. Think It Over 2:16

11. Daisy Petal Pickin 2:10

Personnel:

George Tomsco lead guitar

Jimmy Gilmer guitar, vocals

Stan Lark bass

Eric Budd drums

+

Norman Petty producer



Enjoy

Запись The Fireballs Firewater! 1968 (USA, Rock Roll/Pop Rock) впервые
появилась Rock Archeologia 60-70.


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Angel Pavement - Maybe Tomorrow 2005 (UK, Psychedelic/Pop Rock)

Posted: 20 Mar 2019 12:52 PM PDT
http://rock60-70.ru/albums/angel-pavement-maybe-tomorrow-2005-uk-psychedelic-pop-rock.php






Исполнитель: Angel Pavement

Откуда: England

Альбом: Maybe Tomorrow

Год выхода: 2005 (recorded in 1967-1970)

Жанр: Psychedelic/Pop Rock

Формат: MP3 CBR 320

Размер архива: 182 МB
Группа из Йорка (графство Северный Йоркшир). Образовалась на руинах
соул-команды Wesley Hardin’s Shotgun Package; новое название получила от
романа Джона Пристли Улица Ангела, посвящённого так называемому феномену
психологии успеха. Лидер гитарист Clive Shepherd Медленно, но верно
добивались популярности в родном городе; одни из первых использовали на
своих концертах световые эффекты и генератор дыма. В 1968 году открывали
шоу таких исполнителей, как Geno Washington, Marmalade, Status Quo и The
Move Два сингла, выпущенные на лейбле Fontana Records, должны были
подготовить публику к выходу долгожданного альбома. И тут случилась
досадная неприятность: песни не сумели подняться до высоких мест
хит-парада, несмотря на активную раскрутку по радио. В результате музыканты
оказались на другом лейбле Bell, который обещал издать третий сингл и
почти готовую пластинку. Однако, и здесь не проявили должного интереса к
продвижению группы, к тому же начались конфликты Clive Shepherd с их
многолетним продюсером. В результате скандала отношения окончательно
испортились, и в конце 1970 года на родине, в Йорке, был дан последний
концерт. Найденные записи вышли в 2003 году на виниле (15 песен) и два года
спустя с добавлением дополнительных материалов на CD (23 песни). Все
отмечают уровень музыкантов и удивляются близорукости компаний, пошедших на
поводу у коммерческого успеха.

Tracks:

01. The Man In The Shop On The Corner 3:04

02. Maybe Tomorrow 4:10

03. Time Is Upon Us 3:31

04. Green Mello Hill 2:33

05. Little Old Man 4:14

06. When Will I See June Again 4:46

07. Genevieve 2:33

08. Water Woman 3:24

09. Napoleon 3:26

10. Socialising 4:04

11. Jennifer 2:17

12. Carrie 3:12

13. Im A Dreamer 2:56

14. Baby Youve Gotta Stay 2:20

15. Im Moving On 3:57

16. Tell Me What Ive Got To Do 2:28

17. Phantasmagoria 2:26

18. Rooftop Memories 3:23

19. Tootsy Wootsy Feelgood 2:41

20. Flying On The Ground (Is Wrong) 4:13

21. Five Sisters 3:50

22. Desperate Dan 4:09

23. Im Moving On (Early Mix) 3:29

Personnel:

Neil Webster vocals (1967)

Paul Smith vocals (1967-1970)

Clive Alfie Shepherd lead guitar, 6- & 12-string guitars, vocals
(1967-1970)

Dave Smith rhythm guitar (1967-1970)

Graham Harris bass, vocals (1967-1970)

Alan Reeve drums (1967-1968)

Michael Candy Candler drums, vocals (1968-1970)

John Cartwright electric & acoustic guitars, trumpet, vocals (1970)

Stan Butcher, Roger Day arrangers, conductors

Geoff Gill producer (01-16, 22, 23)

Angel Pavement producers (17-21)









Enjoy

Запись Angel Pavement Maybe Tomorrow 2005 (UK, Psychedelic/Pop Rock)
впервые появилась Rock Archeologia 60-70.


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Dry Ice - Dry Ice 2018 (UK, Psychedelic/Hard Rock)

Posted: 20 Mar 2019 11:31 AM PDT
http://rock60-70.ru/albums/dry-ice-dry-ice-2018-uk-psychedelic-hard-rock.php






Исполнитель: Dry Ice

Откуда: England

Альбом: Dry Ice

Год выхода: 2018 (recorded in 1969)

Жанр: Psychedelic/Hard Rock

Формат: MP3 CBR 320

Размер архива: 131 МB
Группа из Британии, выпустившая в 1960-х только один сингл, однако
записавшая материал на целый альбом. Почти все записи были сделаны 4 мая
1969 года, но пролежали на полке до 2018 года.



About




Formed with the foundation of guitarist/vocalist/songwriter Paul Gardner
and drummer Terry Sullivan, Dry Ice was a UK psychedelic rock band that
went through three incarnations during 1969, the last of which managed to
record and album worth of material and a single. The single found release
in November, 1969 on IBC Records. The album tracks, however, remained
unreleased for forty nine years, finally appearing on the Morgan Blue Town
label, and the band’s complete recorded legacy, eleven finished masters,
two demos and an alternative mix are reviewed here, along with track by
track comments from songwriter Gardner and anecdotes supplied by Gardner
and drummer, Terry Sullivan.

The third and final lineup of Dry Ice consisted of Jeff Novak (vocals),
Paul Gardner (guitar, vocals), Chris Hyrenwicz (guitar), John Gibson (bass)
and Terry Sullivan (drums). The band’s big break came with an invitation to
play the Royal Albert Hall Festival in 1969. Just before the gig, tnen
bassist Phil Griffiths left the band. The remaining trio of Novak, Gardner
and Sullivan scrambled to find a replacement. Enter John Gibson, who
brought with him guitarist Chris Hyrenwicz, whose lead guitar work would be
put on display thanks to the songwriting of Paul Gardner. The band was so
impressive they were given an advance which included the recording of an
LP. Simon Stable, owner of Stable Records, also introduced the band to Ian
McDonald of King Crimson who would go on to record flute on “Lalia” one of
the tunes recorded by the band at IBC Studios and intended for release on
the band’s album. The band also played gigs with bands such as The Who,
Pink Floyd, Spooky Tooth, The Taste, Blossom Toes, King Crimson and The
Groundhogs among others.

The album’s recording was completed in less than two days, so although the
band was well rehearsed it was hard work. As for the tunes, “Dry Ice” opens
with “Clear White Light” written, as were all the band’s originals by Paul
Gardner, and showcases the guitar work of Chris Hyrenwicz, whose fuzzed out
lead guitar soars over the heavy beat. His two solos are indeed the focus
of this hard rocker, which serves as the perfect opener for the long
awaited (forty nine years) release of the long player whose master tapes,
long thought lost, were located and utilized, resulting in incredible sound
quality and an exciting listening experience. “She Gave” features a tasty
wah wah intro and is a lighter, trippier tune featuring gorgeous vocals by
Novak and impressive drum rolls by Sullivan. At 2:30 Hyenwicz’s fuzzed out
solo drives the song through its final forty seconds. When the tracks for
the LP were completed there was no obvious single, so Gardner was asked to
write a song for release on 45. Thus, on May 4, 1969 “Running To The
Convent” was recorded at Trident Studios in Soho, produced by Mke Dolan.
The song is included in two different mixes, beginning with the 2:20 edit
that was released as the a-side to Dry Ice’s lone single, and only release
available until now. A hot rocker, reminiscent of The Who, this song has
all the elements of an AM radio hit, ranging from mellow, subdued guitar to
its full on fuzzed out solo. The single was released on B&C Records in
November 1969. It was playlisted by Radio 1 and reviewed and played by
Annie Nightingale, but is now, in the words of Paul Gardner “rarer than a
hen’s toothy thing.” “Fake It” is a heavy, fuzz laden number with its lead
guitar roaring over the intense rhythm section work of Gibson and Sullivan.
With the exception of a short pause the fuzz is relentless as it roars,
with a second fuzzed out solo closing out this red hot number. The only
cover tune on “Dry Ice” is Bob Dylan’s “It’s All Over Now, Baby Blue.” It
differs from most of the rest of the material in that it is a bit gentler
and is one of only two songs sung by Paul Gardner, whose vocals resemble
those of Dylan, although much clearer and melodic to my ear.. It is also
contained in two mixes although in this case they have nearly the same
running time. This mid-tempo tune is a great cover, its chugging guitars
restrained although always looming, as if ready for a break out. “Chinese
House” rocks from its howling fuzz guitar intro until a false stop mid
song. However, the guitars quickly return and Hyenwicz provides some of his
finest work on this track., At five minutes, thirty five seconds it is the
longest cut and its feedback drenched close would have been the perfect
ending to the LP as it was intended to be. “Falling Down” is another rocker
with a fuzz guitar intro and wah wah added as a gorgeous touch. The track
is nicely restrained before its fuzz solo at 1:30 breaks out. The song
close with feedback filling the air, wah wah adding texture. “Good Friday”
opens with Sullivan’s drum intro, before guitars and bass enter the driving
beat. Novak’s deeply echoed vocals add to the tracks’ commercial
accessibility with a roaring fuzz filled solo ringing out for the tracks’
final minute. “Lalia” is a gentler acoustic number, sung by Gardner. The
five and a half minute track is highlighted by a flute solo by Ian McDonald
of King Crimson and later Foreigner, which, along with the restrained
guitars and Dylanesque vocals, fit right in with this tale of a young man’s
journey. “Nowhere To Go” was released as the b-side of “Running To The
Convent.” With its driving guitar intro, the tune has a Kinks like feel and
features absolutely gorgeous vocals by Novak. The lyrics draw a vivid image
as the guitars pick up the pace. Chris Hyenwicz adds two memorable solos,
the second driving the song to its finish. “Untitled ‘67” is another fuzz
guitar number with a heavy groove, its lyrics the lament of a heroin
addict. This sad tune is accentuated by gorgeous vocal harmonies and
Hyenwicz’s solo again pushing the track to a finish. Morgan Blue Town adds
two demo tracks, the first, “Ashes” never having been polished to a
mastered version. The four minute song has a memorable swirling guitar
intro and contains strong drum work by Sullivan and vocals by Novak.
“Ashes” has incredible potential with its gorgeous melody and contains even
more fuzzed out guitar solos. The demo version of “Running To The Convent”
is a full minute and a quarter longer than the released version. The gentle
guitar and vocal intro give way to fuzz guitar at 1:30 making the song
rock. This would have made a great album track. “Dry Ice” closes with an
alternative mix of “It’s All Over Now, Baby Blue” which is quite close in
sound to the finished master version, and has just as much commercial
appeal with its restrained, chugging guitars and Gardner’s vocal efforts
shining through.

John Gibson and Chris Hyenwicz left the band in late 1969 and sadly severed
all contact. Paul and Terry carried on for a few gigs but their hearts were
no longer in it. Paul went on to tour with acid folk rockers Trees, playing
bass, before forming Pluto in 1970 with The Foundations’ guitarist Alan
Warner. Terry joined the classic lineup of Renaissance, had a huge hit with
“Northern Lights” and toured the world. Jeff is a Swami at Skanda Vale in
Wales.

The fourteen tracks on “Dry Ice” have a run time of about 54 minutes. The
Morgan Blue Town package comes in a standard jewel case and contains a
twelve page full color booklet complete with sleeve notes by Paul Gardner,
photos of all three incarnations of the band, handbills of gigs played by
the band, newspaper clippings, and an image of the band’s lone 45 a-side.
The recordings sound incredible thanks to the mastering job by Pete
Reynolds, utilizing the long thought lost original master tapes. Forty nine
years in the making, “Dry Ice” is an incredible document of heavy
psychedelic rock and will make a wonderful addition to the collection of
fans of this genre of music as well as fans of heavy late 60’s British rock.
[свернуть]




Tracks:

01. Clear White Light 3:34

02. She Gave 3:11

03. Running To The Convent (Single Version) 2:20

04. Fake It 3:39

05. Its All Over Now, Baby Blue 4:36

06. Chinese House 5:35

07. Falling Down 3:30

08. Good Friday 3:35

09. Laila 5:33

10. Nowhere To Go 2:49

11. Untitled 67 3:30

12. Ashes (Demo) 4:02

13. Running To The Convent (Demo) 3:38

14. Its All Over Now, Baby Blue (Alternative Mix) 4:31

Personnel:

Jeff Novak vocals

Paul Gardner guitar, vocals

Chris Hyrenwicz guitar

John Gibson bass

Terry Sullivan drums

+

Ian McDonald flute (09)



Enjoy

Запись Dry Ice Dry Ice 2018 (UK, Psychedelic/Hard Rock) впервые появилась
Rock Archeologia 60-70.


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Goose Creek Symphony - The Same Thing Again 2008 (USA, Country Rock)

Posted: 20 Mar 2019 05:16 AM PDT
http://rock60-70.ru/albums/goose-creek-symphony-%e2%80%8e-the-same-thing-again-2008-usa-country-rock.php






Исполнитель: Goose Creek Symphony

Откуда: USA

Альбом: The Same Thing Again

Год выхода: 2008 (recorded in 1977)

Жанр: Country Rock

Формат: MP3 CBR 320

Размер архива: 75.6 МB

Продолжение темы.



Tracks:

01. Tulsa Turnaround 2:46

02. Too Much Of A Good Thing 3:15

03. Just Another Rock & Roll Song 4:18

04. The Same Thing Again 4:08

05. Sweet Lucy 3:53

06. Hard On Wives 3:20

07. Cindy 2:40

08. Mary 2:53

09. Sailors 5:27

Personnel:

Charles Gearheart lead vocals, acoustic guitar, maracas

Paul Howard Spradlin electric guitar, harmony vocals

Bob Henke electric guitar, harmony vocals

Fred Weisz fiddle

Pat Froggy Moore bass

Dennis Kenmore drums

+

Jim Tolls fiddle

Harold Williams baritone saxophone

Mickey McGee drums

Carolyn Gearheart harmony vocals

Mark Warren electric guitar

Paul Marcus keyboards

Max Schwennsen harmony vocals

Tim lorsch strings



Enjoy

Запись Goose Creek Symphony ‎– The Same Thing Again 2008 (USA, Country
Rock) впервые появилась Rock Archeologia 60-70.


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Todd Kelley - Todd Kelley 1969 (USA, Folk)

Posted: 20 Mar 2019 12:31 AM PDT
http://rock60-70.ru/albums/todd-kelley-todd-kelley-1969-usa-folk.php






Исполнитель: Todd Kelley

Откуда: USA

Альбом: Todd Kelley

Год выхода: 1969

Жанр: Folk

Формат: MP3 CBR 320 (Vinyl Rip)

Размер архива: 89.4 МB
Единственный альбом американского фолкера, изданный нью-йоркским лейблом
ESP-Disk, владелец которого Bernard Stollman продвигал некоммерческую
музыку (выпускал записи The Fugs и Sun Ra). На CD не переиздавался.

Tracks:

01. To Learn, To Grow And To Love 2:25

02. Next Year 2:22

03. Pretty Polly 2:37

04. In The Hills Of Shiloh 4:12

05. Kisses Sweeter Than Wine 3:36

06. High Flying Bird 3:59

07. In My Time Of Growing 2:07

08. Lovin Of The Game 4:03

09. Come Away Malinda 1:41

10. Dont You Cry My Sorrow 2:08

11. In The Morning 2:44

12. A Little Bird 2:57

Personnel:

Todd Kelley guitar, vocals



Enjoy

Запись Todd Kelley Todd Kelley 1969 (USA, Folk) впервые появилась Rock
Archeologia 60-70.


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The Revels - On A Rampage 1964 (USA, Surf)

Posted: 19 Mar 2019 10:40 PM PDT
http://rock60-70.ru/albums/the-revels-on-a-rampage-1964-usa-surf.php






Исполнитель: The Revels

Откуда: USA

Альбом: On A Rampage

Год выхода: 1964

Жанр: Surf

Формат: MP3 CBR 320

Размер архива: 61.1 МB
Единственный альбом группы из San Luis Obispo (штат Калифорния),
сформированной в конце 50-х под названием Gil Serna & The Rockets. В 1959
году сменили название на The Revels. Они также сочинили музыку для
саундтрека к фильму 1961 года The Exiles (Изгнанники).

Tracks:

01. Rampage 2:30

02. Monkeybird 2:03

03. Church Key 2:03

04. Tough Soul 2:05

05. Comanche 2:08

06. (Like) Tequila 2:54

07. Its Party Time 2:36

08. Intoxica 2:17

09. Revellion 1:15

10. Sano 2:36

11. Vesuvius 2:11

12. Soft Top 1:40

Personnel:

Dean Sorenson lead guitar

Paul Sorenson rhythm guitar

Sam Eddy piano

Norman Knowles tenor saxophone

Jim Macrae drums

+

Anthony John Hilder producer





Enjoy

Запись The Revels On A Rampage 1964 (USA, Surf) впервые появилась Rock
Archeologia 60-70.

Albums

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David Blue - Com'n Back For More 1975 (USA, Pop-Rock, Folk-Rock)

Posted: 20 Mar 2019 08:57 AM PDT
http://music60-70.ucoz.ru/publ/north_america/folk_rock/david_blue_com_39_n_back_for_more_1975_usa_pop_rock_folk_rock/19-1-0-12216

Исполнитель: David Blue
Откуда: USA
Альбом: Com'n Back For More
Год выхода: 1975
Жанр: Pop-Rock, Folk-Rock
Длительность: 33:25
Формат: MP3 CBR 320
Размер архива: 80,4 МБ (с 3% на восстановление)


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Black 'N Blue - Without Love 1985 (USA, Glam Metal)

Posted: 20 Mar 2019 06:55 AM PDT
http://music60-70.ucoz.ru/publ/north_america/heavy_metal/black_39_n_blue_without_love_1985_usa_glam_metal/13-1-0-12215

Исполнитель: Black 'N Blue
Откуда: USA
Альбом: Without Love
Год выхода: 1985
Жанр: Glam Metal
Длительность: 36:03
Формат: MP3 CBR 320
Размер архива: 88,1 МБ (с 3% на восстановление)

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Mark-Almond - Mark-Almond II (1971) (UK, Smooth Jazz, Progressive Jazz Rock)

Posted: 20 Mar 2019 06:00 AM PDT
http://music60-70.ucoz.ru/publ/uk/jazz_jazz_rock/mark_almond_mark_almond_ii_1971_uk_smooth_jazz_progressive_jazz_rock/27-1-0-12214

Исполнитель: Mark-Almond
Откуда: England
Альбом: Mark-Almond II
Год выхода: 1971
Жанр: Smooth Jazz, Progressive Jazz Rock
Длительность: 45:18
Формат: MP3 CBR 320
Размер архива: 108 МБ (с 3% на восстановление)


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Grey Lady Down - The Crime 1994 (UK, Neo-Progressive Rock)

Posted: 20 Mar 2019 04:57 AM PDT
http://music60-70.ucoz.ru/publ/uk/neo_progressive/grey_lady_down_the_crime_1994_uk_neo_progressive_rock/248-1-0-12213

Исполнитель: Grey Lady Down
Откуда: England
Альбом: The Crime
Год выхода: 1994
Жанр: Neo-Progressive Rock
Длительность: 52:30
Формат: MP3 CBR 320
Размер архива: 122 МБ (с 3% на восстановление)


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AC/DC - Going Dutch 2002 (Australia, Hard Rock)

Posted: 20 Mar 2019 02:55 AM PDT
http://music60-70.ucoz.ru/publ/australia_new_zealand_south_africa/hard_rock/ac_dc_going_dutch_2002_australia_hard_rock/39-1-0-12212

Исполнитель: AC/DC
Откуда: Australia
Альбом: Going Dutch
Год выхода: 2002 (recorded live in 1978, bootleg)
Жанр: Hard Rock
Длительность: 53:48
Формат: MP3 CBR 320
Размер архива: 126 МБ (с 3% на восстановление)

///////////////////////////////////////////
Also Eden - [REDACTED] 2013 (UK, Neo-Progressive Rock)

Posted: 19 Mar 2019 11:28 PM PDT
http://music60-70.ucoz.ru/publ/uk/neo_progressive/also_eden_redacted_2013_uk_neo_progressive_rock/248-1-0-12211

Исполнитель: Also Eden
Откуда: England
Альбом: [REDACTED]
Год выхода: 2013
Жанр: Neo-Progressive Rock
Длительность: 47:48
Формат: MP3 CBR 320
Размер архива: 114 МБ (с 3% на восстановление)

Old Melodies ...

///////////////////////////////////////////
WANTED

Posted: 19 Mar 2029 01:46 AM PDT
https://allmusic-wingsofdream.blogspot.com/2019/03/wanted.html




///////////////////////////////////////////
The Purple Hearts - The Sound Of The Purple Hearts (1965-1967)

Posted: 19 Mar 2019 10:13 AM PDT
https://allmusic-wingsofdream.blogspot.com/2019/03/the-purple-hearts-sound-of-purple.html


THE PURPLE HEARTS originally formed in Brisbane in 1963, where they
established a strong cult following with their wild brand of uncompromising
heavy rock and R'n'B. They relocated to Melbourne in 1966 and when Redmond
left to open a disco Tony Cahill was recruited as his replacement. Lobby
Loyde (aka Barry Lyde) was in their band prior to joining The Wild
Cherries. Bob Dames went on to Black Cat Circle and then with Mick Hadley
joined Coloured Balls. Tony Cahill later went on to The Easybeats. Like
many Australian bands of the era, they were something of a cross between
the British RB/rock groups (like the Rolling Stones and the Pretty Things)
and the somewhat less adept American garage bands, though they leaned more
in the British RB direction. And, like some other notable Australian bands,
they in fact featured some recent British émigrés in the lineup. Their
failure to record any original material helped exclude them from the first
division of such international acts, but their singles always offered
satisfying RB-oriented covers, and occasionally thrilling ones.
http://en.wikipedia.org/wiki/Purple_Hearts_(Australian_band)http://mza-garage.blogspot.com/2008/06/purple-hearts-sounds-of-ep-1966-very.htmlhttp://mza-garage.blogspot.com/2008/12/purple-hearts-benzedrine-beat-aus.html



Thanks Dick !
***

///////////////////////////////////////////
VA - Psychotic Moose & The Soul Searchers

Posted: 19 Mar 2019 09:54 AM PDT
https://allmusic-wingsofdream.blogspot.com/2019/03/va-psychotic-moose-soul-searchers.html



***

///////////////////////////////////////////
VA - The Polaris Story

Posted: 19 Mar 2019 09:49 AM PDT
https://allmusic-wingsofdream.blogspot.com/2019/03/va-polaris-story.html






***

///////////////////////////////////////////
Lee Curtis - Kelly & Mohair Sam (1966) 7''

Posted: 19 Mar 2019 09:33 AM PDT
https://allmusic-wingsofdream.blogspot.com/2019/03/lee-curtis-kelly-mohair-sam-1966-7.html





***

///////////////////////////////////////////
VA - The Strafford/Right Records Story (1965 - 1969)

Posted: 19 Mar 2019 08:49 AM PDT
https://allmusic-wingsofdream.blogspot.com/2019/03/va-straffordright-records-story-1965.html





***

///////////////////////////////////////////
VA - Top Ten Beat Club Vol. 1 - 5

Posted: 19 Mar 2019 07:43 AM PDT
https://allmusic-wingsofdream.blogspot.com/2015/01/va-top-ten-beat-club-vol-1-5_90.html







***



****



***


***



***





///////////////////////////////////////////
CHER - 1965 & 1966

Posted: 19 Mar 2019 01:36 AM PDT
https://allmusic-wingsofdream.blogspot.com/2019/03/cher-1965-1966.html



Cher has had three careers that place her indelibly in the public
consciousness, and two have been in association with her then-husband,
composer/producer/singer Salvatore "Sonny" Bono (b. February 16, 1935, d.
January 8, 1998). She charted major hit records in the 1960s and 1970s,
working in idioms ranging from early-'60s girl group-style ballads to
Jackie Deshannon folk-influenced pop to adult contemporary pop in the
manner of later Dusty Springfield. She also embarked on an acting career,
initially in the late '60s in association with her work as part of Sonny &
Cher but later on her own, which led to a series of increasingly polished
and compelling performances in Silkwood, Mask, and Moonstruck, for which
she won the Academy Award for Best Actress.
Cherilyn Sarkisian was born in California in 1946; she was 17 when she
first met Salvatore "Sonny" Bono, a songwriter and protégé of producer Phil
Spector. Sonny brought her to Spector, who used her as a backup singer and
produced one single by her, a novelty Beatles tribute record called "Ringo
I Love You" issued under the name Bonnie Jo Mason. It disappeared without a
trace, but the couple were undaunted -- they emerged as a duo, initially
called Caesar & Cleo, later that year, and cut "The Letter," "Do You Wanna
Dance," and "Love Is Strange."
Caesar & Cleo didn't trouble the chart compilers with any degree of
success, but late in 1964, Cher (then known as Cherilyn) was signed to
Liberty Records' Imperial imprint, and Sonny came along as producer. A
Spector-ish version of "Dream Baby" managed to get airplay in Los Angeles,
becoming a local hit, and they suspected they were onto something. That
same month, Sonny & Cher, as they were now known, signed to Reprise Records
and released their first single, "Baby Don't Go." The song became a major
local hit in Los Angeles, after which the duo jumped from Reprise to the
Atco label, a division of Atlantic Records. In April 1965 their first
single, "Just You" was released and rose to number 20 on the charts. The
duo was on its way, and Cher also had Imperial Records after her for a
second single. The couple had seen the Byrds pioneer commercial folk-rock
with Bob Dylan's "Mr. Tambourine Man," and had witnessed them performing
another Dylan number, "All I Really Want to Do" at a club in Los Angeles.
The group intended to issue their own recording of "All I Really Want to
Do," but Cher, with Sonny producing, beat them to the punch with her own
recording of the song.
She pursued a dual career for the next two years, cutting solo recordings
under Sonny's guidance that regularly charted, and duets with her husband
for Atco. A month after "All I Really Want to Do," they released "I Got You
Babe," which was one of the biggest-selling and most beloved pop/rock hits
of the mid-'60s, and the couple's signature tune across two eras of
success. Cher's solo career ended up slightly overshadowed by her work with
Sonny & Cher, but at the time she was fully competitive on her own terms --
her first LP reached the Billboard Top 20 and was on the albums charts for
six months. "Bang Bang (My Baby Shot Me Down)" was another hit, a
million-seller that made number three in America and England, and she made
the Top Ten once more with her 1967 single "You Better Sit Down Kids." The
latter song, written by Sonny (and which was also a hit for Glen Campbell),
dealt with divorce, an unusual subject for a 1960s pop record, and was one
of a series of releases on which Cher's music broached difficult areas --
others were "I Feel Something's in the Air," which dealt with unwanted
pregnancy, and "Mama (When My Dollies Have Babies)."
Cher's solo career at Imperial, which had created some political problems
for the couple at Atlantic, ended with the lapsing of her contract in 1967,
and she moved to Atlantic. Ironically, it was this move that contributed to
the unhappy reversal of the couple's fortunes at the end of the decade.
By the end of the 1960s, Sonny & Cher were no longer selling records. A
series of commercial missteps, coupled with a change in public taste, had
sharply curtailed their sales, and a pair of movies (Good Times, Chastity)
had lost millions. Additionally, they were no longer recording for Atlantic
-- though they were still under contract to them -- owing to the label's
decision to take Cher's solo recordings out of Sonny's hands and assign a
new producer to her.
Coupled with the presentation of a bill from the Internal Revenue Service
for $200,000 in back taxes, these events left the couple in dire financial
straits at the end of the 1960s. They were forced to play club dates,
opening for artists like Pat Boone, and it was there that their second
career, and a second career for Cher, took shape. A new contract with Decca
Records in 1971, coupled with a chance at a summer replacement gig on the
CBS television network, brought them a second chance at success.
The tryout on television was a success, as the couple proved to be as funny
as they were musically diverse. It took a little longer to find a new
formula for Cher's music -- her initial single on Decca's Kapp
label, "Classified 1A," was a failure; a serious song dealing with a girl's
feelings for a boyfriend killed in Vietnam; it was topical in all the wrong
ways to become a pop chart success. Producer Snuff Garrett was recruited to
work with her, and he found a series of songs that were perfect for Cher's
maturing talent.
"Gypsies, Tramps and Thieves," a conscious attempt to emulate
Springfield's "Son of a Preacher Man" (which also recalled Cher's own "Bang
Bang") was released late in 1971 and became a number one hit and a
million-seller. To some listeners, "Gypsies, Tramps and Thieves" was the
epitome of schlocky pop/rock, but the song's subject matter, unusual tempo
changes, and an incredibly memorable chorus-hook became a vehicle for a
transcendent performance by the singer, marking Cher's maturation as an
artist (the B-side, "I Hate to Sleep Alone," written by Peggy Clinger of
the Clinger Sisters, curiously enough, managed to recall Sonny's
Spector-influenced productions from the Imperial years). A follow-up album,
featuring her covers of contemporary hits such as "Fire and Rain," sold
well also, and her next single, "The Way of Love," a revival of a mid-'60s
Kathy Kirby hit, solidified the image of a new, more confident and powerful
Cher. And the debut of the couple's regular network variety series on CBS
in January 1972 brought them back to the center of American and
international popular culture in a more mature, wittier guise, and one that
concentrated much more on Cher as a personality.
Her 1960s music ran the gamut from Spector-style miniature teen pop
symphonies to covers of contemporary adult pop ("It's Not Unusual") and
folk-rock. Her voice wasn't very rich or powerful, but it was expressive
and surrounded by Sonny's radiant Spector creations, and she could put over
an almost inappropriately cheerful sounding version of "The Bells of
Rhymney" or "Blowin' in the Wind." By contrast, her early-'70s material,
solo or with Sonny, had a more adult point of view and
personality. "Gypsies, Tramps and Thieves" and the later number one solo
hits "Half-Breed" and "Dark Lady" were dramatic, highly intense
performances, almost as much "acted" as sung, and very different from her
1960s output.
In 1974, it was revealed that the couple's marriage was coming to an end.
Ironically, Cher came out of this split more secure than her husband,
despite his having guided her career for a decade and having all of the
real training in the entertainment business. She embarked on an acting
career, even as she continued to make headlines for her romantic exploits,
including an affair with (and two marriages to) Gregg Allman. She became a
far better actress than she was a singer, first revealed in Mike Nichols'
Silkwood (1983) and then in Peter Bogdanovich's Mask (1985) and George
Miller's The Witches of Eastwick (1987). Her acting peers caught on to the
worth of her work in time for an Academy Award for Best Actress for her
performance in Norman Jewison's 1987 romantic comedy Moonstruck.
Living Proof Since the mid-'70s, Cher has been known more for her acting
than for her music, although she has continued to record for numerous
labels, including Columbia, and in 1998 scored an international
chart-topping smash with the club-friendly single "Believe." The year 2001
brought Living Proof, the equally dance-oriented follow-up to the
transformative Believe, and by 2005 she had completed the three-year,
high-grossing Farewell Tour ahead of a lucrative Las Vegas residency of
equal length. In 2010 she starred in the musical Burlesque, and "You
Haven't Seen the Last of Me" from the movie's soundtrack went on to win a
Golden Globe Award. In September 2013 Cher released a new studio set,
Closer to the Truth, the results of further sessions with assistance from
Mark Taylor, the British songwriter/producer who had been a regular
collaborator since Believe. Cher's appearance in the 2018 musical film Mama
Mia! Here We Go Again inspired her to record an album of ABBA cover songs
called Dancing Queen later that year. Dancing Queen appeared in September,
2018.
All I Really Want To Do - 1965

01. All I Really Want To Do02. I Go To Sleep03. Needles And Pins04. Don't
Think Twice, It's All Right05. He Thinks I Still Care06. Dream Baby07. The
Bells Of Rhymney08. Girl Don't Come09. See See Blues (C.C. Rider)10. Come
And Stay With Me11. Cry Myself To Sleep12. Blowin' In The Wind


The Sonny Side Of Cher - 1966

01. Bang Bang (My Baby Shot Me Down)02. A Young Girl (Une Enfante)03. Where
Do You Go04. Our Day Will Come05. Elusive Butterfly06. Like A Rolling
Stone07. Ol' Man River08. Come To Your Window09. The Girl From Ipanema10.
It's Not Unusual11. Time12. Milord

***

///////////////////////////////////////////
VA - Fast-Track! 16 Blazing Instrumentals

Posted: 19 Mar 2019 01:00 AM PDT
https://allmusic-wingsofdream.blogspot.com/2019/03/va-fast-track-16-blazing-instrumentals.html



1.SCRUB BUCKET-JOHNNIE AND THE CYLCLONES2.DEVILS RUN-BAILEY'S NERVOUS
KATS3.WASTED-ZAKONS4.GULLY WASHER-THE SIDEWINDERS5.LOOK-OUT -THE
LOAFERS6.ROUND ROCK BOOGIE-THE REL-YEA'S7.SHUTDOWN-THE GEMS8.SAW MILL
RUN-THE MARLINS9.SHAM-THE PANICS10.SAFARI-THE MAJESTICS11.DO IT-THE
COUNTDOWNS12.ZOMBIE-THE ROBINS13.SCREAMING (PART 2)-THE
METROPOLITIANS14.FAST TRACK-STING RAYS15.THE LION IS AWAKE-SAMMY AND THE
FIVE NOTES16.RACE RIOT-LOS PERDIDOS

****

Rock Archeologia 60-70

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John The Revelator - Wild Blues 1970 (Netherlands, Blues Rock)

Posted: 19 Mar 2019 12:30 PM PDT
http://rock60-70.ru/albums/john-the-revelator-wild-blues-1970-netherlands-blues-rock.php






Исполнитель: John The Revelator

Откуда: Netherlands

Альбом: Wild Blues

Год выхода: 1970

Жанр: Blues Rock

Формат: MP3 CBR 320

Размер архива: 135 МB
Голландская группа из Haarlem, созданная в 1967 году вокалистом/басистом
Tom Huissen, до этого жившим в Лондоне, где он подружился с Peter Green и
стал свидетелем первых репетиций группы Fleetwood Mac. По возвращении в
родную Голландию, Том начал формировать блюзовую группу по образцу
Fleetwood Mac. Концерты новой группы, названной John The Revelator (Иоанн
Богослов), прошли в Голландии и Европе. В 1970 году они выиграли престижный
джазовый конкурс, и лейбл Decca предложил им контракт. Результатом стал
легендарный альбом «Wild Blues». Альбом был записан на студии Phonogram;
продюсировал альбом Tony Vos, который работал с Cuby Blizzards, Ekseption и
Oscar Benton Blues Band. На запись было дано всего несколько дней, и
композиции были записаны практически без наложений. Группа активна до сих
пор, хотя выпущенных альбомов у них совсем мало.

Tracks:

01. John The Revelator 0:46

02. I Cant Stop Lovin You 2:59

03. Worried Dreams 5:40

04. Charlies Drive-In 1:36

05. Talk To Me, Baby 5:00

06. Personal Manager 4:33

07. Wild Blues 1:35

08. Bleeding Heart 4:41

09. No Woman 3:10

10. Homework 3:02

Bonuses:

11. Yeah (Previously Unreleased Album Track) 3:02

12. Rockin Squirrel (Previously Unreleased Track 1971) 3:32

13. One Track Mind (Previously Unreleased Track 1971) 4:42

14. I Cant Stop Lovin You (Live Loosdrecht Jazz Concours 1970) 3:20

15. Little Red Rooster (Rehearsal Domi Overveen 1972) 4:15

16. Worried Dreams (Rehearsal Domi Overveen 1972) 4:50

Personnel (tracks 01-11, 14):

Tom Huissen lead vocals & bass guitar

Charles van der Steeg tenor & bariton saxophone

Henno van Donselaar alto saxophone

Frans ten Kleij lead guitar & harmonica

Jos de Wilde slide guitar

Charles van den Heuvel piano

Fred Huissen drums

+

Tony Vos producer

Personnel (tracks 12, 13):

Tom Huissen lead vocals & bass guitar

Charles van der Steeg flute & bariton saxophone

Frans ten Kleij lead guitar & harmonica

Jos de Wilde slide guitar

Paul Dammers rhythm guitar

Fred Huissen drums

+

Hans van Hemert synthesizer & mellotron, producer

Personnel (tracks 15, 16):

Tom Huissen lead vocals & bass guitar

Hille van der Galien bariton saxophone & congas

Frans ten Kleij lead guitar & harmonica

Paul Dammers slide & rhythm guitar

Fred Huissen drums







Enjoy

Запись John The Revelator Wild Blues 1970 (Netherlands, Blues Rock)
впервые появилась Rock Archeologia 60-70.


///////////////////////////////////////////
Rotary Connection - Songs / Hey, Love 1998 (USA, Psychedelic Soul)

Posted: 19 Mar 2019 09:45 AM PDT
http://rock60-70.ru/albums/rotary-connection-songs-hey-love-1998-usa-psychedelic-soul.php






Исполнитель: Rotary Connection

Откуда: USA

Альбом: Songs / Hey, Love

Год выхода: 1998 (recorded in 1969/1971)

Жанр: Psychedelic Soul

Формат: MP3 CBR 320

Размер архива: 168 МB
Продолжение темы. 4-й и 6-й альбомы в дискографии группы.

Tracks:

Songs (1969)

01. Respect 3:05

02. The Weight 3:24

03. Sunshine Of Your Love 5:07

04. I Got My Mojo Working 2:38

05. The Burning Of The Midnight Lamp 4:40

06. Tales Of Brave Ulysses 4:28

07. This Town 3:25

08. Were Going Wrong 3:20

09. The Salt Of The Earth 4:55

Hey, Love (1971)

10. If I Sing My Song 2:53

11. The Sea & She 3:30

12. I Am The Black Gold Of The Sun 5:20

13. Hangin Round The Bee Tree 3:32

14. Hey, Love 4:00

15. Love Has Fallen On Me 4:10

16. Song For Everyman 5:32

17. Love Is 4:42

18. Vine Of Happiness 4:36

Personnel:

Songs (1969)

Bobby Simms vocals, guitar

John Jeremiah vocals, keyboards

Jon Stocklin guitar

Kenny Venegas vocals

Minnie Riperton vocals

Mitch Aliotta vocals, bass

Sidney Barnes vocals

Charles Stepney arranger, producer

Marshall Chess producer

Hey, Love (1971)

Minnie Riperton soprano vocals

Shirley Wahls contralto vocals

Kitty Haywood soprano vocals, alto vocals

Dave Scott tenor vocals

Pat Ferreri guitar

Phil Upchurch guitar

Sydney Simms bass

Master Henry Gibson congas

Donny Simmons drums

Charles Stepney piano, harpsichord, organ, electric piano, arranger,
producer
Обложка LP Songs (1969)
Обложка LP Hey, Love (1971)

Enjoy

Запись Rotary Connection Songs / Hey, Love 1998 (USA, Psychedelic Soul)
впервые появилась Rock Archeologia 60-70.


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Procession - Frontiera 1972 (Italy, Progressive Rock)

Posted: 19 Mar 2019 09:38 AM PDT
http://rock60-70.ru/albums/procession-frontiera-1972-italy-progressive-rock.php






Исполнитель: Procession

Откуда: Italy

Альбом: Frontiera

Год выхода: 1972

Жанр: Progressive Rock

Формат: MP3 CBR 320

Размер архива: 93 МB
Малоизвестная, но, отнюдь, не плохая итальянская проговая группа.
Образована была в Турине в начале 1972 года по инициативе вокалиста
Gianfranco Gaza. Уже в апреле 1972 года группа начала выступать в местных
барах, а в следующем месяце они оказались на крупнейшем рок-фестивале
Италии и в октябре перебрались в Рим, где в течение недели записали
дебютный альбом. В альбоме «Frontiera» 1972 года присутствует как тяжёлый
гитарный прог ( в группе пересеклись два талантливых гитариста Roby
Munciguerra и Marcello Capra), так и прекрасные полуакустические композиции.

Tracks:

01. Ancora Una Notte 5:21

02. Uomini E Illusioni 2:42

03. Città Grande 5:12

04. Incontro 2:43

05. Anche Io Sono Un Uomo 3:56

06. Un Mondo Di Libertà 8:42

07. Solo #1 3:28

08. UnOmbra Che Vaga 5:09

09. Solo #2 2:06

Personnel:

Gianfranco Gaza lead vocals, harmonica

Marcello Capra electric & acoustic guitars 6-string

Roby Munciguerra electric & acoustic guitars 12-string

Angelo Girardi bass, electric mandolin

Giancarlo Capello drums, percussion

+

Pino Tuccimei producer



Enjoy

Запись Procession Frontiera 1972 (Italy, Progressive Rock) впервые
появилась Rock Archeologia 60-70.


///////////////////////////////////////////
Procession - Fiaba 1974 (Italy, Progressive Rock)

Posted: 19 Mar 2019 09:31 AM PDT
http://rock60-70.ru/albums/procession-%e2%80%8e-fiaba-1974-italy-progressive-rock.php






Исполнитель: Procession

Откуда: Italy

Альбом: Fiaba

Год выхода: 1974

Жанр: Progressive Rock

Формат: MP3 CBR 320

Размер архива: 78.2 МB
К 1974 году несколько меняется состав (группу покинул гитарист Marcello
Capra) и они записывают второй, тоже очень неплохой альбом Fiaba. Несмотря
на хорошую концертную деятельность, Procession так и не добились успеха,
которого они заслужили, и, несмотря на два хороших альбома, группа
распалась в 1975 году.

Tracks:

01. Uomini Di Vento 3:58

02. Un Mondo Sprecato 4:41

03. Cera Una Volta 8:11

04. Notturno 8:09

05. Il Volo Della Paura 4:54

06. Fiaba 5:27

Personnel:

Gianfranco Gaza lead vocals

Roby Munciguerra guitar

Paolo DAngelo bass

Maurizio Gianotti tenor saxophone, alto saxophone, flute

+

Francesco Froggio Francica drums, percussion

Ettore Vigo keyboards (03)

Silvana Aliotta vocals (03)

Franco Fernandez keyboards (02, 06)

Pino Tuccimei producer

Enjoy

Запись Procession ‎– Fiaba 1974 (Italy, Progressive Rock) впервые появилась
Rock Archeologia 60-70.


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Aquelarre - Siesta 1975 (Argentina, Progressive/Psychedelic Rock)

Posted: 19 Mar 2019 04:01 AM PDT
http://rock60-70.ru/albums/aquelarre-siesta-1975-argentina-progressive-psychedelic-rock.php






Исполнитель: Aquelarre

Откуда: Argentina

Альбом: Siesta

Год выхода: 1975

Жанр: Progressive/Psychedelic Rock

Формат: MP3 CBR 320

Размер архива: 88.7 МB
Продолжение темы. Четвёртый альбом в дискографии группы из Буэнос-Айреса.

Tracks:

01. Pájaro De La Locura 5:01

02. Árboles Caidos Para Siempre 3:35

03. Canto Cetrino 3:50

04. Siesta Cambiada 6:26

05. Cacería En El Bosque 7:50

06. Savia De Los Aromos 3:12

07. El Hombre Cercano 7:58

Personnel:

Héctor Starc guitars, vocals

Hugo González Neira keyboards, vocals

Emilio del Güercio bass, guitar, vocals

Rodolfo García drums, percussion, vibes, vocals



Enjoy

Запись Aquelarre Siesta 1975 (Argentina, Progressive/Psychedelic Rock)
впервые появилась Rock Archeologia 60-70.


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The Fools - Embaladssimo 1967 (Brazil, Surf)

Posted: 19 Mar 2019 03:49 AM PDT
http://rock60-70.ru/albums/the-fools-embaladissimo-1967-brazil-surf.php






Исполнитель: The Fools

Откуда: Brazil

Альбом: Embaladíssimo

Год выхода: 1967

Жанр: Surf

Формат: MP3 CBR 320

Размер архива: 60.3 МB

Единственный альбом бразильской группы.

Tracks:

01. O Recado 2:12

02. O Touro Solitário 2:04

03. Winchester Cathedral 1:37

04. Love Letters 2:26

05. Vivo Só 2:31

06. Un Homme Et Une Femme 2:39

07. Oh! Suzana / Tequila / Pepinos 2:31

08. Estrellita 2:33

09. Noites De Moscou 1:48

10. Exodus 2:34

11. On The Sunny Side Of The Street 1:31

12. The Shadow Of Your Smile 3:11

Personnel:

Jadson vocals (05, 12)

José Aires solo guitar

Roberto rhythm guitar

Jorge Black bass

Thome drums

Enjoy

Запись The Fools Embaladíssimo 1967 (Brazil, Surf) впервые появилась Rock
Archeologia 60-70.

PROGROCKVINTAGE

///////////////////////////////////////////
[DIVULGAO] 20 ANOS DA ORQUESTRA MINEIRA DE ROCK - 22 de MARO - KM DE
VANTAGENS HALL - BELO HORIZONTE

Posted: 18 Mar 2019 03:29 PM PDT
http://www.progrockvintage.com/2019/03/divulgacao-20-anos-da-orquestra-mineira.html


A Orquestra Mineira de Rock comemora seus 20 anos em um espetáculo que
promete fortes emoções aos admiradores do bom e velho Rock n´Roll.

O Progrockvintage, mais uma vez, marcará presença nesse momento importante
para a OMR.

Confira no texto abaixo disponibilizado pela assessoria de imprensa (ABC
Comunicação):

"O show mais grandioso da carreira até agora! É isso que prometem os
integrantes da Orquestra Mineira de Rock - formada por três das principais
bandas de rock autoral de Minas Gerais – Cartoon, Cálix e Somba, sobre o
espetáculo que apresentarão no dia 22 de março, às 22h, no Km de Vantagens
Hall. É a primeira vez do grupo na casa de shows.

Por isso, um repertório especial está sendo preparado, - Beatles, Queen,
Yes, Led Zepellin -, autorais, músicas eruditas e, claro, que dará ênfase a
cultura mineira.

“Estamos encarando como o maior show da história da OMR porque é a 1ª vez
que produzimos algo assim, num lugar tão grande, na maior casa de BH que é
o Km de Vantagens Hall. Além disso, este evento marca a entrada na
orquestra da produtora Cadoro, representada pelo Carlos Alberto Xaulim, que
passa a ser o empresário do grupo”, explica Khadhu Capanema, líder do
Cartoon.


Foto: Vitor Maciel (OMR divulgação oficial)
“Este show vem também para testar nosso potencial, tanto do ponto de vista
artístico e criativo quanto de público. Até a onde podemos chegar? O que
mais podemos crescer em termos de apresentação, de qualidade? Quem mais
pode se interessar pela nossa música? Qual o nosso limite? São perguntas
que esperamos que esse show venha responder”, comenta Renato Savassi, líder
do Cálix.

“É uma expectativa muito grande para todos nós! Vai ser um show com mais
arranjos novos, um lugar novo e tudo isso vai deixar admirado quem já viu
nosso show e até mesmo quem nunca viu. Será mais surpreendente”, comemora
Guilherme Castro, líder do Somba.

A ideia do grupo também é oferecer uma experiência diferente. “Este show
tem muitos diferenciais: o próprio lugar em que as pessoas poderão ficar em
pé, dançar, se divertir, descontrair, tomar uma cervejinha numa boa. Além
disso, vão ter muitas novidades interessantes em relação ao cenário, ao
som, entre outros”, explica Khadhu.

No palco, para se ter ideia, os 13 músicos dividem espaço com marimba de
vidro, esraj, duas baterias, percussão, quatro guitarras, dois teclados,
três baixos, entre outros. Uma grande estrutura para uma grande
apresentação!

“No Km de Vantagens o público pode esperar o que a gente tem oferecido em
todos os shows: um destaque da orquestra, mas não só a coisa coletiva da
gente tocar todos juntos, os talentos individuais sendo destacados e
surpreendendo. É assim que pretendemos impactar as pessoas com as surpresas
que vamos apresentar”, comenta Renato.

“O público vai ver o rock que é nossa marca com um pouco mais de lirismo,
do lúdico. Vamos apresentar um show novo, melhor em termos de repertório e
esperamos que as pessoas gostem e se divirtam”, diz Guilherme.

Com a entrada da Cadoro, o projeto é levar o show para outras cidades. “Já
temos uma viagem marcada para o meio do ano quando vamos tocar em um
Festival em Guaçui (ES). E a ideia é essa, cair na estrada e apresentar
nosso espetáculo em outras cidades de Minas e do Brasil”, conta Khadhu".


Ficha Técnica:

Produção Executiva: Nilson de Oliveira
Produtora Cadoro: Carlos Alberto Xaulim
André Cabelo - Técnico PA
Alberoni Grossi - Técnico Monitor
Vicente Baka – Iluminação
Roadies:
Janer "Cenoura" Sumayo
Ivan "Feinho" Grossi
André Peluso
Mídias Sociais: Mentes Sociais - Bernardo Cançado
Assessoria de Imprensa: Paulinha Bicalho – ABC Comunicação


SERVIÇO:

Show Orquestra Mineira de Rock
Data: 22 de março de 2019, sexta
Horário: 22h
Local: Km de Vantagens Hall
(Av. Nossa Senhora do Carmo, 230 – Savassi)
Ingressos: R$70 (inteira) R$35 (meia-entrada) - 2º lote
Venda online: https://bit.ly/2RVurXc

Facebook: https://www.facebook.com/orquestramineiraderock

Sites das bandas:
Cartoon: www.cartoon.mu
Cálix: www.calix.com.br
Somba: www.sombagulho.com

Albums

///////////////////////////////////////////
Go-Go's - Beauty And The Beat 1981 (USA, New Wave, Power Pop)

Posted: 19 Mar 2019 08:34 AM PDT
http://music60-70.ucoz.ru/publ/north_america/punk/go_go_39_s_beauty_and_the_beat_1981_usa_new_wave_power_pop/18-1-0-12210

Исполнитель: Go-Go's
Откуда: USA
Альбом: Beauty And The Beat
Год выхода: 1981
Жанр: New Wave, Power Pop
Длительность: 35:15
Формат: MP3 CBR 320
Размер архива: 84,4 МБ (с 3% на восстановление)

///////////////////////////////////////////
The Cross - Shove It 1988 (UK, Hard Rock, Dance-Rock)

Posted: 19 Mar 2019 02:02 AM PDT
http://music60-70.ucoz.ru/publ/uk/hard_rock_after_1980/the_cross_shove_it_1988_uk_hard_rock_dance_rock/289-1-0-12209

Исполнитель: The Cross
Откуда: England
Альбом: Shove It
Год выхода: 1988
Жанр: Hard Rock, Dance-Rock
Длительность: 41:44
Формат: MP3 CBR 320
Размер архива: 99,4 МБ (с 3% на восстановление)

Old Melodies ...

///////////////////////////////////////////
Dick Dale - Rarities ...

Posted: 18 Mar 2019 01:27 PM PDT
https://allmusic-wingsofdream.blogspot.com/2019/03/dick-dale-rarities.html


.........

RIP DICK...Your music won't die
***

///////////////////////////////////////////
The Dynamites 63-66

Posted: 18 Mar 2019 12:38 PM PDT
https://allmusic-wingsofdream.blogspot.com/2019/03/the-dynamites-63-66.html





The legendary Dynamites from Basel were formed in 1958 by Robert "Röbi"
Wittner. They first went under the name of LITTLE ROBIN BAND (adopted from
the Bobby Day song Rockin Robin), before it was changed to THE RED
DYNAMITES (after the Cliff Richard song Dynamite) and then finally
shortened to the much more dynamic, and explosive sounding name of THE
DYNAMITES in 1964.
Their first real lineup was consisting of Robert Wittner (lead vocals),
Willy Lanz (bass), Fritz Arpagaus (drums), Sandro Bellafati (rhythm guitar)
and Rolf Antener (lead guitar). On the 5. of January 1963, during a break
of a Red Dynamites show at the Safran in Basel, one of the people from the
audience came backstage, to ask The Red Dynamites leader Robert Wittner if
he could join the band for a session. It was Robert "Robi" Sulzer and he
had no band experience yet, but was a big fan of Jerry Lee Lewis and Fats
Domino and he had learned to play the piano at school. Sulzer became their
piano/organ player and second lead vocalist.
Some of their highlights include shows with Cliff Richard & The Shadows,
The Moody Blues (at an open-air festival in Paris 1/1966), Tony Sheridan
(with The Dynamites as backing band), Bill Ramsey (with The Dynamites as
for his backing band - at one very rare concert in Chur, Switzerland), Stan
Urban (as backing band), to play at the famous Film Ball in Munich, and the
winning of the international beat band battle at the legendary Golf Drouot
in Paris, that has brought them the contract for the French EP release.
They are famous for their well documented singles on Columbia and Philips.
Hard to find as they are, the rarest of their vinyl is the debut EP on the
tiny Sesam label from 64. It shows a group in development with one foot
still on the Shadows-platform and the other already on the R&B-train.
http://homepage.swissonline.ch/featheredapple/dynamites.html
THE DYNAMITES 1963 - 1966
01 - Be My Own (1963 Unreleased acetate)02 - Hello Daddy
03 - Dance (1964 Sesam 4607/4608) 04 - Nadine05 - I Wanna Be Your Man06 -
Little Safari
07 - Little Girl (1965 Unreleased)
08 - Lonely Baby (1965 LP: Swiss Beat Live) 09 - If You Need Me10 - Jenny
Jenny11 - Iґm Moving On


12 - Tell Me Yes Or No (1965)13 - Too Late
14 - Someone Like Me (1966)15 - Don't Leave Me Behind
16 - Right Down (1966)17 - Say It Today





***


The Dynamites ‎– Someone Like Me 7" 1966







***

///////////////////////////////////////////
Giorgio Moroder ( Heimatliche Klaenge Vol's 80;81;89;93)

Posted: 18 Mar 2019 10:46 AM PDT
https://allmusic-wingsofdream.blogspot.com/2019/03/giorgio-moroder-heimatliche-klaenge.html


Missing volume series Giorgio Moroder. The rest of the tag Giorgio
Moroder----------------------------------------------------------------------------------
One of the principal architects of the disco sound, producer and composer
Giorgio Moroder was born in Ortisei, Italy, on April 26, 1940. Upon
relocating to Munich, Germany, he established his own studio, Musicland,
and recorded his debut single "Looky, Looky" in 1969; his first LP, Son of
My Father, was released in early 1972. Around that time Moroder was
introduced to fellow aspiring musician Pete Bellotte, with whom he formed a
production partnership; in collaboration with singer Donna Summer, the duo
was to become one of the most powerful forces in '70s-era dance music,
their success beginning with the release of 1974's Lady of the Night.
Summer's Love to Love You Baby followed in 1975; the title track, clocking
in at close to 17 minutes in length, was an international smash, its
shimmering sound and sensual attitude much copied in the years to follow.
At their mid-'70s peak, Moroder, Bellotte, and Summer were extraordinarily
prolific, releasing new albums about once every six months. Concept records
like 1976's A Love Trilogy and Four Seasons of Love culminated with the
release of 1977's I Remember Yesterday, a trip through time which climaxed
with the smash "I Feel Love." With its galloping bass line and futuristic,
computerized sheen, the single was among the watershed hits of the disco
era, and helped propel Summer to new prominence as the reigning diva of the
dancefloor.
In 1978, Moroder made his initial foray into film music, winning an Academy
Award for his score to Alan Parker's Midnight Express. Summer's double-LP
Bad Girls followed in 1979, becoming a massive hit and spawning such
chart-topping singles as "Hot Stuff" and the title cut. After one final
studio LP, 1980's The Wanderer, the Moroder/Bellotte/Summer team disbanded,
and the disco era began drawing to a close.
In the early '80s, Moroder focused primarily on films; after producing the
soundtracks for pictures including American Gigolo and Cat People, he
turned to 1983's Flashdance, earning his second Oscar for the
hit "Flashdance...What a Feeling," performed by Irene Cara. In 1984,
Moroder courted controversy from film purists for his contemporary
electro-pop score to the restored release of Fritz Lang's silent-era
masterpiece Metropolis. After contributing to the soundtrack of the 1986
hit Top Gun, he turned increasingly away from dance music to focus on rock,
producing the album Flaunt It, the debut from the heavily hyped British
flash-in-the-pan Sigue Sigue Sputnik. In the years to follow, Moroder kept
a low profile on the pop charts, although he remained a fixture on film
soundtracks. In the 1990s, he also turned to remixing, debuting with a
reworking of Eurythmics' "Sweet Dreams (Are Made of This)" and going on to
tackle material from Heaven 17 and others.




Heimatliche Klaenge - Deutsche Schallplatten-Labels Native Sounds - German
Record-Labelsvol.80
HANSA Giorgio 2
singles 1
01 - Stop - Hansa 196602 - Believe in Me03 - Stop (german version) - Hansa
196604 - Glaub an mich05 - Bla Bla Diddley - Hansa 1966 06 - How Much
Longer Must I Wait, Wait07 - Lilly Belle - Hansa 196708 - Love's Morning
Land09 - Monja10 - Raggi Di Sole11 - Cinnamon - Hansa 196812 -
Reesy-Beesy13 - Looky, Looky - Hansa 196914 - Happy Birthday15 - Happy
Birthday (german version)16 - Luky, Luky 17 - Senza te, Senza me18 - Moody
Trudy - Hansa 196919 - Stop20 - Lina Con La Luna 21 - Risi E Bisi22 -
Arizona Man 2.58 (French 7" a23 - So Young 3.00 (French 7" b24 - Hilly
Billy Man (Arizona Man) version

(Giorgio = The Banana Crew):
Heimatliche Klдnge - Deutsche Schallplatten-Labels Native Sounds - German
Record-Labelsvol.42 - Beat-Parade 1968 Hansa


Heimatliche Klaenge - Deutsche Schallplatten-Labels Native Sounds - German
Record-Labelsvol.81
HANSA Giorgio 3
singles 2
25 - Arizona Man - Hansa 197026 - Sally Don't You Cry27 - Son of My Father
- Hansa 197128 - I'm Free Now29 - Today's a Tomorrow - Hansa 197230 - Take
It, Shake It, Break My Heart - Hansa 197231 - Lonely Lovers' Symphony -
Philips 197332 - Crippled Words33 - Hilf dir selbst (Philips 6000 114)34 -
Geh zu ihm35 - Marrakesh - Philips 197436 - Nostalgie37 - Born To Die
(London, HL-10459)38 - Strongest Of The Strong 39 - Lie, Lie, Lie - Philips
197440 - Collico41 - Bricks and Mortar - Philips 197542 - It's a Shame43 -
Reach Out 44 - Shannon's Eyes



Heimatliche Klaenge - Deutsche Schallplatten-Labels Native Sounds - German
Record-Labelsvol.89
Giorgio 7
Singles update
01 - Mr. Strauss - Johnny Schilling (Hansa)02 - Alle Analphabeten auf die
Plдtze fertig los - Johnny Schilling (Hansa)
03 - Mah-Na-Mah-Na (Ariola 1969)04 - Doo-Bee-Doo-Bee-Doo (Ariola 1969)
05 - Heaven Helps the Man (Who Helps)

Heimatliche Klaenge - Deutsche Schallplatten-Labels Native Sounds - German
Record-Labelsvol.93
A Stop International Produktion By Giorgio Moroder
Mon Thys (Die Anderen / Apocalypse / Peter Mьller)
01 - Wenn der Sommer kommt Ariola 14 629 197002 - Hey Hey03 - Hot Love
Ariola 10 089 1971 Stop Stop Stop05 - Help Sally Help Ariola 10 387 197206
- Tennessee07 - San Marino Ariola 12 160 1972 Wenn die Liebe nicht wдr'09
- Rock-A-Bye Ariola 12 737 197310 - Glaubst du11 - Sugar Baby Love Ariola
12 401 197412 - Gib mir den Sommer zurьck13 - Allein, mit dir ganz allein
Ariola 13 694 197514 - Jedermann



Gerd Mьller was born 04.08.1947 in Kiel. He played in many bands (Die
Anderen / Apocalypse) until he met Enrico and later joined "Chimes of
Freedom". As composer Gerd had a large stake in the band's sound. After the
band split he released German versions of international hits such as T
Rex's "Hot Love", Mungo Jerry's "In the Summertime" and Rubettes "Sugar
Baby Love" as a solo artist. Gerd Mьller is a freelance producer and lives
in Nashville, USA.
***




///////////////////////////////////////////
Original Rattles live 2003 (Heimatliche Klaenge Vol.129 )

Posted: 18 Mar 2019 10:20 AM PDT
https://allmusic-wingsofdream.blogspot.com/2019/03/original-rattles-live-2003-heimatliche.html


Heimatliche Klaenge - Deutsche Schallplatten-Labels Native Sounds - German
Record-Labelsvol.129 The (1963 Original) Rattles
Jubilдumskonzert in der Fischauktionshalle Hamburg 25. August 2003The
Rattles Achim Reichel (guitar, vocals)Herbert Hildebrandt (bass,
vocals)Hajo Kreutzfeld (guitar)Dicky Tarrach (drums)

01. Lalala 02. Mashed Potatoes 03. Come On And Sing04. Moscow 05. Aloha
Heja He
bonus (thanks lollypope)The Rattles live 1965 Amersfoort (NL)06. Sticks And
Stones07. She's About A Mover08. Mashed Potatoes09. Bye Bye Johnny
***

///////////////////////////////////////////
Maranatha (Heimatliche Klaenge Vol.102)

Posted: 18 Mar 2019 10:17 AM PDT
https://allmusic-wingsofdream.blogspot.com/2019/03/maranatha-heimatliche-klaenge-vol102.html



Heimatliche Klaenge - Deutsche Schallplatten-Labels Native Sounds - German
Record-Labelsvol.102
Songs und Musik for Teenager - Maranatha
01 - Exodus II02 - I Am The Way03 - I Like The Sun04 - I'm Crying , O
Lord05 - Maranatha06 - Ask The World 07 - We've Got To Find A New Way

***


///////////////////////////////////////////
Private Tapes 2 (Heimatliche Klaenge Vol.113)

Posted: 18 Mar 2019 10:13 AM PDT
https://allmusic-wingsofdream.blogspot.com/2019/03/private-tapes-2-heimatliche-klaenge.html



Heimatliche Klaenge - Deutsche Schallplatten-Labels Native Sounds - German
Record-Labelsvol.113
private tapes 2Oldenburg Rocks & (Ost)Friesland Rolls - the 60s Beatscene
01. Come September - The Flying Arrows02. Bad Boy - The Joseph Brothers &
Elvire03. Space Race - The Towners04. Kom Van Dat Af_Tallahassee Lassie -
Little Riz & His Rocking Butterflies05. Be-Bop-A-Lula - The Joseph Brothers
& Elvire06. Treat Her Right - The Beatniks07. What'd I Say - The
Midnights08. Little Man - The Four Spirits09. Memphis Tennessee - The
Beatniks10. All Night Worker - The Beatniks11. Under The Boardwalk - The
Stirlings12. Disturbance - The Stingrays13. Peter Gunn - The Stirlings14.
Nowhere Man - The Four Spirits15. I'm A Believer - The Starfyghters16.
Brown-Eyed Handsome Man - The Joseph Brothers & Elvire17. Mashed Potatoes -
The Midnights18. When The Saints Go Marchin' In - The Phantoms

***

///////////////////////////////////////////
Ray Christoph's New Sound (Heimatliche Klaenge Vol.154)

Posted: 18 Mar 2019 10:08 AM PDT
https://allmusic-wingsofdream.blogspot.com/2015/03/heimatliche-klaengeray-christophs-new.html



1969 on Orange Records from Munich, Germany. This is single The Very First
Day by Hammond organist Ray Christoph. Аmazing and ... unknown Austrian
60's artist.





Heimatliche Klaenge - Native Sounds
vol.154 - Ray Christoph's New Sound (Austria)
01 - Wordless Blues02 - Soul Organ (unreleased)03 - The Very First Day04 -
Computerlichter (unreleased)


****



///////////////////////////////////////////
Boston Showband (Heimatliche Klaenge Vol.159 )

Posted: 18 Mar 2019 10:06 AM PDT
https://allmusic-wingsofdream.blogspot.com/2015/05/heimatliche-klaenge-vol159-boston.html



Before The Glitter Band ...
Formed 1966, London UKDisbanded 1973, GermanyMembers:John Russell [John
Rossall] (trumpet, trombone), Tommy Walsh (trumpet, vocals), Jimmy Duggan
(saxophone), Ronnie Brambles (drums), Tony Murray (bass guitar), Jimmy
Murray (guitar), Colin (rhythm guitar, vocals), Paul Raven (vocals), Harvey
Ellison (saxophone), Gerry Shephard (guitar), Pat Lawler (bass guitar,
vocals), Desmond Wilson (keyboards, vocals), John Cotton [aka John Curtain]
(saxophone, vocal), Wee Dave, Ray Moxley (bass, vocals), John White
(drums), Berkeley Wright (lead guitar, keyboards, vocals), Geoffrey Peacey
(organ), Billy Holland (tenor saxophone, vocal), David Parker, Bernard
Whelan (trumpet, vocals), Wally Maddocks (drums), Vince Walsh (keyboards,
guitar, vocals)

Also Known As :The Boston, Brave New World [1970], Mac Crash with the
Boston Show Band, The Boston Showband, Boston International, The Boston
International Showband
Related Artists:The Bandits, The Glitter Band, Lake, Tony and the Graduates
When Gary Glitter's first single "Rock and Roll Parts 1 and 2" became a
number 2 hit in the UK, his manager Mike Leander realised that he would
need a backing band, and contacted John Rossall, who was then the musical
director of the Boston Showband. With a few changes in personnel, the
Boston Showband became the Glittermen, and later 'The Glitter Band' in 1973
who were: John Rossall (Sax, Trombone & Musical Director), Gerry Shephard
(lead guitar and vocals), Pete Gill (Drums), Tony Leonard (Drums), Pete
Phipps (Drums and Keyboards), John Springate (Bass & Vocals) and Harvey
Ellison (sax). They backed Glitter in live performances, although in the
studio Leander played all the instruments himself apart from the brass
section provided by Rossall and Ellison ...
Boston Showband Members:Berkeley Wright, Bernard Whelan, John Russell ,Ray
Moxley, Vince Walsh


http://www.discogs.com/artist/2371300-Boston-Thehttp://www.45cat.com/artist/the-boston-show-bandhttp://en.wikipedia.org/wiki/The_Glitter_Band


Heimatliche Klaenge - Native Sound
vol.159 - Boston Showband

45'
01 - Time To Go
Wow Wow Wow (lp)
02 - Apollo Flight
03 - Count Down
04 - The Swingin' Creeper
05 - Hitch-Hike
Open Up The Door (lp)
Every Time (lp)
Picadilly Rock (lp)
Jenny Jenny (lp)
06 - Papersellers
07 - Antique Man
08 - Hayride
09 - Bang Bang Lulu
10 - My Crazy Family
11 - Cornflakes
12 - Hey Diddle Daddle (with Paul Raven = Garry Glitter)
13 - Come On Over

Lp - Picadilly Rock
01 - Jenny, Jenny
02 - Whole Lotta Shakin' Goin' On
03 - Love Me Tender
04 - Don't Be Cruel
05 - Every Time (The Good Book Song)
06 - Piccadilly-Rock
07 - Open Up the Door
08 - I've Been Around
09 - Devil in Disguise
10 - Keep a Knockin'
11 - Wow, Wow, Wow
12 - Rock Around the Clock

Lp - Nonstop Pop Hits
01 - She's a Heartbreaker
02 - Be My Baby
03 - My Name Is Jack
04 - Mrs. Robinson
05 - Summertime Blues
06 - She's Looking Good
07 - Rene
08 - Yummy, Yummy, Yummy
09 - I've Gotta Get a Message to You
10 - In the Midnight Hour
11 - The Son of Hickory Holler's Tramp
12 - Ain't Nothing but a Houseparty
13 - Tapioca Tundra
14 - Main Theme from 'Exodus'


Lp - Hair Dance Selection
01 - Hair
02 - Good Morning Starshine
03 - Be-In
04 - What A Piece Of Work Is Man
05 - I Got Live
06 - 3500
07 - Aquarius
08 - Walking In Space
09 - Air
10 - Frank Mills
11 - Manchester England
12 - Let The Sunshine In

***



///////////////////////////////////////////
Singing End (Heimatliche Klaenge Vol.90)

Posted: 18 Mar 2019 10:04 AM PDT
https://allmusic-wingsofdream.blogspot.com/2019/03/singing-end-heimatliche-klaenge-vol90.html



If you gasp at the name of this group - wait until you hear the sound
thatthese boys produce! The fun of the pun may turn out to be that there is
no double meaning at all. THE SINGING END sings- and brings to an end
allother singing efforts by other groups.The group is still young. But its
members are not exactly greenhorns. Eachof them had run up a reputable
records as a soloist in successful bands beforethey deciced to join forces
in 1970, emerging with a group of their own whichat that time was called
„THE END", because is signalled the end of a periodof playing somebody
else's tune. Form now on it was to be their own music.Tre group was no
sooner founded than it was given a contract by the youngand enterprising
label of RESONO. But more than one year was allowed topass before the first
LP-production was considered worthy to present the newsound and the new
name om THE SINGING END to the public.To the international public, of
course.
A word of warning, however, will not he amiss. Turn away, all of you
whoexpect to hear another „Underground" group or that „beat-band Nr.
2775".„THE SINGING END" is unique. They are a hunch of individualists.
List-ening of their music, some of you will find hereditary evidence of
great an-cestors. Of course, „no man liveth unto himself", but, recognizing
an admittedhomage to Vanilla Fudge, Crosby, Stills, Nash & Young, or being
remindedoccasianlly of the sound of the „Four Freshmen", should rather
contributeto the educated lister's acknowledgement that he is being
presented withthe newest addition to Pop Olympus.

01. LISTEN TO THE MUSIC02. I'M ON MY WAY03. CARPETS04. I STILL DON'T
KNOW05. EMPTY STREETS06. GREEN GRASS07. LIES08. TWILIGHT09. LOST DADDY'S
CRADDLE SONG
And here are the members of the group:RAINER PIETSCH - The leader. Plays
piano, organ, bass- and accusticguitar- and sings. He composed all
titles of this LP.ALF GARDNER - vocal and percussion. Also a solo
vocalist.HERBERT IHLE - vocal, harmonica and rhythm-guitar.GЬNTHER
LЬCKERATH - vocal and lead-guitar.ROLF LAMMERS - keyboards.DIETER GEIS -
drums. and Peter Lahn & his orchestra

***

///////////////////////////////////////////
Deutsche Phyllyton (Heimatliche Klaenge Vol.114)

Posted: 18 Mar 2019 10:01 AM PDT
https://allmusic-wingsofdream.blogspot.com/2019/03/deutsche-phyllyton-heimatliche-klaenge.html



Heimatliche Klaenge - Deutsche Schallplatten-Labels Native Sounds - German
Record-Labelsvol.114
Deutsche Phyllyton
01 - Gunda (You Have To Hear It) - Denise TCH 7700202 - Funky Boy03 -
Kitchen Cockroach
04 - Dollar Spending Man - Dennis Allen & The Rockits TCH 7700305 - Early
Morning Light
06 - Gift Of My Heart - The Rockits TCH 7701007 - Ride On Tomorrow
08 - Forget - Anaxas TC 7701109 - Please Angel Please

***

///////////////////////////////////////////
The Savages & The Camillos (Heimatliche Klaenge Vol.115)

Posted: 18 Mar 2019 09:56 AM PDT
https://allmusic-wingsofdream.blogspot.com/2019/03/the-savages-camillos-heimatliche.html



Heimatliche Klaenge - Schweizer Beat Native Sounds - Swiss Beatvol.115

EP The Savages (Swiss) Star 50327
01 - Beat Train -The Savages02 - Dark Eyes -The Savages03 - Hava Nagila
-The Savages04 - Swiss Mountains Waltz -The Savages


Lp VA Beat Train - The Camillos The Savages (Swiss) Star 164


05 - Bach Party -The Savages06 - E'tanto Che Non Vedo Te - The Savages07 -
I'll Be With You - The Savages08 - Gitar Shake - The 4 Camillos09 - Red
Shadows - The 4 Camillos
***


///////////////////////////////////////////
Michael Anton (Heimatliche Klaenge Vol.111)

Posted: 18 Mar 2019 09:51 AM PDT
https://allmusic-wingsofdream.blogspot.com/2019/03/michael-anton-heimatliche-klaenge-vol111.html







Heimatliche Klaenge - Deutsche Schallplatten-Labels Native Sounds - German
Record-Labelsvol.111
The Rattles presentsJesus Makes You High - Michael Anton & Amok
01 - Jesus Makes You High02 - Sing And Pray03 - Doctor Jesus04 - Look At
Birds05 - Gospel Train (Ride On)06 - Stranger Man07 - Twelve Men08 - It's A
Miracle09 - Love Your Enemy10 - Get Out Of My Temple
Kuno And The Marihuana Brass


11 - Lass und mal haschen 12 - Marihuana - Mantra
„Jesus Makes You High", one of the many psychedelic projects by Achim
Reichel aka "Clemens Clemenzone", sounds like a great transition
from "Bokaj Retsiem" to "Die Gruene Reise" der A.R.Machines.produced by
GORILLA MUSIK
Members are:Frank Dostal Kuno Dreyse(Michael) Anton Eckard Peter
HechtPeter HessleinAchim Reichel Dicky Tarrach
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Wonderland - Wonderland Band No.1

Posted: 18 Mar 2019 09:45 AM PDT
https://allmusic-wingsofdream.blogspot.com/2019/03/wonderland-wonderland-band-no1.html



This was a beat band formed at the beginning of 1968. Reichel and Tarrach
had previously been members of the most famous German beat band: The
Rattles. Wonderland recorded three singles before Humphries and Franke quit
at the end of 1969, to be replaced by Kalle Trapp and Claus-Robert Kruse.
One year and a single later the band ceased its activities, with Reichel
and Dostal teaming up for the Wonderland Band album, to which Franke,
Tarrach, Trapp and Kruse all contributed. All Wonderland singles and four
tracks for a projected album were collected in 1973 on a Karusell
sampler.WONDERLAND BAND - One of Achim Reichel's strangest projects
occurred in l97l, after the demise of Wonderland. His long time
collaborator Frank Dostal followed him from this band. Together they
recorded as Frankie Dymon .as well as the very different Wonderland Band,
whose album was an ambitious production featuring 25 guest musicians, among
them Clauk-Robert Kruse (guitar, organ, vocals, arrangements), Helmut
Franke (guitar), Ladi Geissler (guitar), Hans-Uwe Remers (piano,
arrangements), Benny Bendorf (bass), Hans Hartmann (bass), Kalle Trapp
(bass), Joe Nay (drums), Barry Reeves (drums) and Dicky Tarrach (drums,
chimes, trumpets and trombones). The results sounded close to the eclectic
solo album Die Grune Reise, but Reichel's echo guitars were in this case
replaced by solid doses of brass! Wonderland Band's No. 1 was equally weird
with boogie rock, vintage glitter rock and folky ballads spiced with
incredibly strange brass arrangements. It was hardly a great success
(however, there are highlights!) and proved to be a one-off, although a
1972 single featured two unreleased tracks: "Rock'n'Roll People" coupled
with "King Of America".
Die Band Wonderland wurde 1968 in Hamburg von Achim Reichel
gegrundet.Dieser hatte 1966 seine erste Band The Rattles verlassen und
seine Bundeswehr-Zeit absolviert. Nach der erfolgreichen Debut-Single
Moscow, die am 1. August 1968 in Deutschland auf Platz 20 einstieg und bis
Platz 15 kletterte, kam eine ebenso erfolgreiche Tournee als Vorgruppe der
Bee Gees, und 1969 landete Wonderland bei der Wahl des besten deutschen
Bands durch Fachjournalisten auf Platz 3. Mit am Erfolg beteiligt war ihr
Produzent: James Last.1971 verlor Achim Reichel dann das Interesse an der
Gruppe und widmete sich anderen Projekten. Les Humphries verlie? die Band
1969, um seine Erfolgs-Gruppe Les Humphries Singers zu grunden. Dicky
Tarrach entwickelte sich zu einem gefragten Studiomusiker und machte in den
1980er Jahren sowohl als Solist (Tarracco) sowie auch als Mitglied von Moti
Special (Cold Days - Hot Nights) von sich reden.

***


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Wonderland (Heimatliche Klaenge Vol. 84)

Posted: 18 Mar 2019 09:41 AM PDT
https://allmusic-wingsofdream.blogspot.com/2019/03/wonderland-heimatliche-klaenge-vol-84.html



Heimatliche Klaenge - Deutsche Schallplatten-Labels
Native Sounds - German Record-Labelsvol.84
POLYDOR
The Wonderland
01 - Poochy 02 - Moscow 03 - Boomerang 04 - Peeping And Hiding 05 - Count
Down 06 - Jump Anna Trampaleen07 - Mama (Polydor Anniversary Lp)08 - Gas
Ballon 09 - Try To Be What You Are10 - Do You Remember11 - Burdon 12 - On
My Way (To The USA)13 - Teachers And Preachers14 - Hey Willy15 - Mighty
Pudding16 - I Make Music17 - Heya Donna Leya 18 - Rock 'n Roll People19 -
King Of America20 - Laugh Story21 - What A Day
01 - 13 Wonderland07 - with James Last (from Polydor Anniversary Lp)14 -
15 Hamburger Blues-"Gesang"-Verein von 1970 N.E.V.16 - 19 Wonderland Band20
- 21 The Gorillas



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Achim & Rugy ( Heimatliche Klaenge Vol.109)

Posted: 18 Mar 2019 09:34 AM PDT
https://allmusic-wingsofdream.blogspot.com/2019/03/achim-rugy-heimatliche-klaenge-vol109.html



The Rattles presents Achim Reichel (The Rattles - Wonderland - A.R. &
Machines - Propeller)Rugy Rugenstein (The Rattles - Wonderland)
Achim Reichel01 - Trag es wie ein Mann (Take It Like a Man)02 - Heute und
Morgen03 - Fatima04 - Ich warte auf Antwort
Rugy Rugenstein05 - Leben und Lieben - Rugy & The Bitter Lemon 197206 - Auf
und ab07 - I Saw Her Standing There - Rugenstein 197408 - Love Is Gone09 -
Cadillac - Rugenstein10 - Just A Little Bit

Achim Reichel & Frank Dostal & ???11 - Laugh Story - The Gorillas12 - What
A Day13 - Tony Peperoni - Plus One14 - Hello Daisy
Achim Reichel15 - Der Spieler 198116 - Eckenliegerblues

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The Move - Anthology (4 CD's Box Set)

Posted: 18 Mar 2019 08:28 AM PDT
https://allmusic-wingsofdream.blogspot.com/2019/03/the-move-anthology-4-cds-box-set.html



Apparently, the Move's discography is so complex that not even a lovingly
compiled, rarities-laden, career-spanning box set like Salvo's
2008Anthology 1966-1972 can fit everything within the confines of four
discs. The devil is in the licensing, as it always is, something that
always plagues Move compilations because their last album, Message from the
Country, was on Harvest, while their first two -- The Move and Shazam --
were on EMI and the third, Looking On, was on Fly. Typically, the first
three albums are grouped together -- as they were on WestSide's 1997 box
Movements -- with Message from the Country left lingering on its own, a
situation Salvo almost avoids on Anthology by cherry-picking the low-riding
heavy blues-rocker "Ella James" and loading up the fourth disc with the
wonderful post-Message singles that captured the band at some kind of a
zenith: "Tonight," "Do Ya," "Chinatown," "California Man." Although there
are parts of Message that are sorely missed, this is enough to help
Anthology paint a portrait of the band's full career, but it's a portrait
that's slightly skewed, largely because the set relies so heavily on
alternate takes and rarities. This approach makes Anthology manna for
collectors -- who very well may be the only audience for such a
comprehensive box set in 2008 -- as this piles on different mixes, markedly
different alternate versions such as an "early piano version" of "Fire
Brigade," and a simple acoustic version of "Flowers in the Rain," a bevy of
single edits, and a few enhanced stereo takes, plus studio chatter from
producer Tony Visconti. It's such a twisting maze that a good guide is
necessary and the liner notes by Mark Paytress provide just that with a
biographical overview and track-by-track liners. Yet even that is an
indication that this box set is intended not as a one-stop for neophytes
but a supplement to Salvo's expanded reissues (and EMI's expansion) of
Message, as a whopping 30 of the 62 tracks here are previously unreleased,
with another seven making their CD debut. Of course, many of these are
alternate mixes and takes, but there are some nice unheard items too,
including the two-part "Second Class" the early version of Roy
Wood's "She's Too Good for Me," and, best of all, four pre-debut tracks
that find the band sounding like a Tamla-influenced British beat band,
something they never quite were in their art-terrorist incarnation. But in
addition to these alternate takes comes an entire disc's worth of
unreleased music from the band live at the Marquee in 1968, which is
another huge incentive for collectors to pick this up. Some of this was
excerpted as the Something Else EP but this gives up a full 12 tracks of
the Move at the peak of their powers and they sound monstrous: huge,
lumbering, loud, as progressive and primal as the Who, but at once stranger
and more of a down and dirty rock & roll band, kicking out versions
of "Somethin' Else," "Stephanie Knows Who," "Piece of My Heart," "(Your
Love Keeps Lifting Me) Higher and Higher," and "So You Want to Be a Rock &
Roll Star." The power of this set, along with the blistering version of "I
Can Hear the Grass Grow" and the Nazz's "Open My Eyes" from the Fillmore
West in 1969, may be the biggest revelation of the set, and it's also why
this collector-bait heavy box isn't just for collectors. Sure, this is
loaded up with rarities, but it does give the arc of the band's career,
contains most -- but certainly not all -- of their great songs, and
provides jolt after jolt of weird, wild, wonderful rock and pop, music that
still has the power to intoxicate all these years later. If you're already
one of the converted this is essential, but if you haven't learned how to
love the Move, this box may still be necessary as there is no one album
that contains all their sounds in one place. Besides, the Move were too big
to be contained by one box -- at least this one comes the closest to
getting it all right.


Thanks NICO !****

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The End - From Beginning to End ( 4 Cd's Box Set)

Posted: 18 Mar 2019 07:44 AM PDT
https://allmusic-wingsofdream.blogspot.com/2019/03/the-end-from-beginning-to-end-4-cds-box.html



Although never achieving the success they deserved, the End are best
remembered for their Bill Wyman-produced psychedelic-pop that was a
masterful mixture of swirling, dream-like numbers, and flowery, but never
twee, pop. Their Introspection album is now viewed as one of the finest
examples of British psychedelia. Dave Brown and Colin Giffin formed the End
in 1965 following the demise of beat group the Innocents. Nicky Graham and
John Horton were drafted in from Dickie Pride's backing group, the Original
Topics, and the line-up was completed with former Tuxedos drummer Roger
Groom. After recording at the now legendary R.G. Jones' Morden studio,
successful friend Bill Wyman arranged a tour with the Rolling Stones. They
also appeared with Spencer Davis on ITV television's Thank Your Lucky Stars
playing "Hallelujah I Love Her So." At this time their music was very much
in the club-soul/blue-eyed soul style that was sweeping England by storm.
Following the tour, Roger Groom quit to be replaced by Hugh Atwooll, a
former school friend of Nicky Graham. John Horton also quit, but the split
was amicable as he continued to help out on their second single, "Shades of
Orange." Cut by Bill Wyman, with the addition of Charlie Watts on tabla,
the song was recorded during the sessions for the Rolling Stones'
psychedelic foray, Their Satanic Majesties Request. "Shades of Orange"
epitomizes British Psychedelia and is one of the genre's most sought after
items.Following the single's release, Gordon Smith also left and was
replaced by former Mode guitarist Terry Taylor. The band then decamped to
Spain, where several singles were released domestically, including "Why," a
Top Five hit in April 1967. By Christmas 1968, both Colin Giffin and Hugh
Attwooll had left after recording the Introspection album, and although a
new drummer, Paul Francis, was enlisted, the writing was on the wall. With
the arrival of another Mode refugee, Jim Henderson, the End metamorphosed
into the more progressive-sounding Tucky Buzzard. Introspection was delayed
for over a year due to a fallout from the Rolling Stones' bust-up with
Allen Klein and was musically the type of psychedelia that had gone out of
fashion by the time of its December 1969 release. The band had changed name
and style, leaving this glorious album to sink without a trace.
CD1 In The Beginning 1964-1967


CD2 Introspection 1968-1969


CD3 Retrospection 1968-1969

CD4 The Last Word 1969-1970




Thanks Cor for this...
***